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Pottery, Ceramic Tiles, and Bliss: an interview with Colorado artesian, Susan Martin


Susan Martin in her studio in southern Colorado

Susan Martin, an astoundingly talented artist in southern Colorado, is living a fairytale-like existence.  Recently she shared her story with us as well as tips on how we can do the same!  Read what Martin has to say:

SWF: When you began college and were studying for your MFA, did you know that this was the direction that you wanted to go? If not when did it begin to become apparent or to develop, how, why?

SM: I became aware that clay was to be my artistic passion during the time I was studying for my MA in Illustration. As hard as I tried to find my way toward developing my own style and creating a body of work for a masters show, I could not make it come together until I took an elective class in beginning pottery and fell in love with clay. It was a long road learning all the basics that I needed to understand in order to be able to express myself in clay, but I worked hard studying ceramics while still pursuing the Illustration degree. I was very fortunate to have professors who were open-minded enough to allow me to cross disciplines and to create my body work for my Illustration degree using the medium of clay. I chose to make my illustrated body of work using clay tiles in mural form. The murals were made of tiles that I hand-formed, bisque fired, hand-painted and glaze-fired. After completing my degree in Illustration, I went on to complete my MFA degree in ceramics at California State University at Fullerton.

SWF: Now that we know how you were drawn to ceramics, what drew you to Colorado? You have mentioned the quality of life there, was it something you were consciously seeking or did it find you?

SM: It was a conscious decision to move here. Colorado had always seemed like a very remote place to me for some reason. Maybe the Rocky Mountains were in my mind as the most formidable of mountains here in this country. I thought of it as a cold and rugged place, still wild and unspoiled. All of that appealed to me in a very big way. The thought of moving to such a place seemed like a big life adventure. My husband, Robert and I were living in Southern California at the time; we were both at the point where we needed a change. Of course I needed the change far more than he did... he could probably be happy most anyplace. We searched for places for about five years and never could agree on any particular spot. When we came here to Chromo though... it was different. We both fell instantly and totally in love with this area and found a piece of land that we wanted to make our permanent home on. We are at about 7,800' in altitude here. The weather is pretty temperate and there's good skiing, hiking, fishing and a lot of wildlife viewing all around. We are four miles north of the New Mexico border and about 30 miles south of the town of Pagosa Springs in Colorado. Right now the fall color is at its peak. The inspiration for artwork is so abundant here that "what to make" is never the problem; strangely enough, that modern problem of "never enough hours in the day" has followed us here.

SWF: Can you share a typical day with our readers?

SM: Well, I get up anywhere from 6:00 a.m. to 8:00 a.m. depending upon whether or not it's been a late night. When I'm firing the kiln a lot... hours can get pretty crazy. I spend my first waking moments at my kitchen window sipping hot tea and watching a beautiful sunrise over the Banded Peaks to the East. Slipping into a pair of comfortable jeans, I make my way out to the barn where I greet my two Icelandic Horses and my neighbors black mare. They pasture during the night and come up to get their grain and water come morning. With barn chores under my belt, it's time to feed cats (there are eight of them - all shapes sizes and colors). And then there are the two dogs, Monty, a playful and sweet German Shepherd, and Fuzzy - a Siberian Husky who is very talkative and wild.

After chores, I spend a little time in my office wrestling the paperwork down. Once that's done, it's lunch and then off to the studio for the day. I'm very fortunate to have a wonderful studio that is on the property. We built the studio with an apartment above before we built our main house as it was the "test" for deciding whether or not such country living would agree with us. After fours years in the apartment, my husband was ready for something a little less cozy and we decided to build the house we now are living in.

The whole process of finding land, building the studio/apartment, the barn and our home has been quite an undertaking. It has taken a lot of my time. In fact, for the years that we were building, I was really not able to make much art at all. It's great to be at this point now and be able to focus into my art-making at last.

When I'm in the studio on any given day, my tasks will generally be varied. If I'm finishing up a mural that I'm painting, I might have a pretty strong focus on that, but usually, there are many small tasks that go into creating clay work. Timing and weather conditions play a big role in the drying of tiles and pottery. You have to pay a lot of attention to the work as it drys so that there will be minimal warping. I also throw pottery on the wheel from time to time. I make items for a small store, the "Chromo Merchantile" that is located down on our main road, Hwy 84 that runs from NM up into CO. The store has been there for many, many years and is gasoline and coffee stop along the road for tourists, hunters and lonely passers-through.

SM: Any tips for anyone wanting to do the same, e.g. follow their bliss?

I think it takes having a dream to do this. You have to have a plan to make it work. To make it financially feasible, you have to be able to generate income out here. My husband was able to telecommute so to speak. He has a hook-up to his office computer system via DSL now. When we first got out here, we had only dial-up and that didn't work at all. We switched to satellite and that was better, but we were constantly taking the broom outside, climbing a ladder and knocking the snow off the satellite dish. With a lot of effort, we eventually got the phone company to extend DSL service out our way. Now it's much, much better! I guess I've always known that I wanted to live out in the country; that is how I grew up (in Ohio). Robert was most always a city dweller, so I was somewhat concerned about his ability to be happy living out here. As it turns out though, he's amazingly adaptable and now loves our home here. He travels a lot for business and he makes the long journey to Albuquerque, NM to take flights to and from his destinations. But he rarely complains about the driving because the sights are so beautiful and the roadways so untraveled.

We did learn a lot in the process of making this journey to Chromo. I think that one of the things that we might have done better would be to live on the land (either camping, or in a trailer) before building. There are so many reasons that it makes sense to be present and understand what goes on in a new environment for at least a year or two before you build. Every area has its unique characteristics and sometimes they are totally foreign to our experience.

Being knowledgeable before you invest is most wise. One of the biggest issues in the country, especially in the west... is water. Most people coming from cities don't even realize that water is under a system of strict regulation in the west. Availability of good water (and the proper rights to use it) should be of primary concern in purchasing either raw land or land with existing buildings.
 
To find out more about Susan Martin and her beautifully unique work, visit her website at www.Belvederearttile.com









 



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