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When the Remarkable Meets the Remarkable

 

Bernard Mendoza is a highly acclaimed and internationally recognized reportage/documentary photographer.  Yet all the accolades cannot justly explain the sensitive response to moments documented by this artist.   It is only in experiencing these works of art that the viewer gets the sense of moment, time, life, personality, intimacy.  Now, once again, the works are again being exhibited. A show opening a retrospective exhibition tour will open at The Gallery at Round Top on May 19, 2007.

 

Mendoza states, “What particularly appeals to me about photography is its universal power as a language.” 

 

As a documentary photographer this brings significant responsibilities with that fine line between the documentarian and the propagandist.  It is a constant challenge to be open-minded, to record what I see and not record what I want to see, to allow myself to be touched by my subject and not the other way round.”  And in this the man is a master.  He never seeks to overstate, only to report the constant reality of life around him.  His works teeter on the edges of profound and sensitive, abstract and real, but always artful and interesting.

 

“There is a great quote from Rémy de Gourmont (1858 - 1915) that, 'Life is a series of sensations connected to states of consciousness'

 

“This is what I tend to gravitate toward and want to capture, those sensations and how we react to them.  Not just pictures that shock or are sensational, but rather Us in everyday situations and how unique we are, even in the mundane.

 

Over the years of making these photographic-documentaries I have had the privilege of being invited into the lives and homes of many people.  Ordinary people who represent the majority in this world, going about their lives the best way they know how.  These stories, that have ranged from Hassidic communities in America to dance club hostesses; from dogs and their owners to reclaiming the streets of Los Angeles from drug dealers and gangs, constantly reminds me of Marcel Proust’s words, ‘the real voyage of discovery lies not in seeking new landscapes, but in seeing with new eyes’.

 

Much of Mendoza’s work deals with social issues, such as his highly acclaimed Portrait of a City Hospital, a photographic essay on health care in America that is now part of the permanent art collection for the City of Denver , and anthropological subjects such as From Generation to Generation a documentary on Hassidic communities in America which is now held by the Museum of Fine Arts in Houston.  Vaya en Paz (Go in Peace) the story of a community reclaiming its neighborhood from gangs and drug dealers in East Los Angeles.  The Projects are Dead, Long Live the Projects an essay that documented the demolition of the old gang ridden projects as the residents move to newly built estates.

 

Occasionally his dry English humor comes out in his work and is represented by some lighter essays including - Mutt ‘n Man - a series of photographs made of dogs and their owners.  Benches - a look at the juxtaposition of people sitting on bus benches and the adverts displayed.  El Prado - dance club hostesses at a little night club in East Los Angeles.

 

Mendoza’s work has been collected and exhibited in museums and galleries around the world including, amongst others, The National Portrait Gallery in London, The National Portrait Gallery in Scotland, The Smithsonian Institute, The Royal Photographic Society in the UK, The Museum of Fine Arts Houston, The Denver Art Museum and Editions de la Tortue in Paris. 

His work has been published in a variety of prestigious books including the University of Michigan Quarterly Review, the M.I.L.K. trilogy of books on Family, Love and Friendship, The Art Directors Index to Photographers and the Denver Confluence of the Arts.

Collected Works from the exhibition of photographic works by Bernard Mendoza at the Gallery at Round Top, Round Top, Texas, opening May 19, 2007.


Twin Sisters - photos courtesy Round Top Chamber of Commerce and The Gallery at Round Top

 

 


The Fixer - photos courtesy Round Top Chamber of Commerce and The Gallery at Round Top

 


Dance Club Hostesses - photos courtesy Round Top Chamber of Commerce and The Gallery at Round Top

 


Uncle Fred - photos courtesy Round Top Chamber of Commerce and The Gallery at Round Top

 


Dance Club Hostess - photos courtesy Round Top Chamber of Commerce and The Gallery at Round Top

 

 


Launderette Arkansas - photos courtesy Round Top Chamber of Commerce and The Gallery at Round Top

Mendoza has received numerous awards including a Colorado Council on the Arts Fellowship and is a two-time recipient of a John Kobal Foundation award for portraiture. He also received a grant from Steven Spielberg’s Righteous Person’s Foundation to complete an essay on Hassidic communities in America.

 

During the 1990s, as Artist in Residence at the University of Denver, he developed and ran a highly regarded program for troubled teens, using photography as a tool for youngsters to see their world.  At the same time he was invited to be a grants panelist for Neighborhood Cultures of Denver, responsible for bringing the arts to low income areas through grants from the National Endowment for the Arts and the national Endowment for the Humanities.

Over the past 12 years, Mendoza has spent a considerable amount of time lecturing and giving workshops at art centers and universities around the country on photography, reportage, documentary making and Zen in the Art of Photography, beyond the snapshot – creating art from photography.  He will be offering a workshop/retreat at Tillworth Bed and Breakfast in Round Top, Texas.  The workshop will be held May 18 – 20, 2007.  For further information contact info@tillworth.com

Bernard Mendoza’s works will be on exhibit at The Gallery at Round Top, 203 East Austin, Round Top, Texas.  For further information visit www.thegalleryatroundtop.com or call 979-249-4119.


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