Kristofferson: This Old
Hero's
Road
Leads to Southern Cal
by Cheryl Bruedigam
Editor’s note:
I just want to say that although I
have been writing for over thirty years, ten of which
has included music reviews, and have been a fan for over
thirty years as well, I was hard pressed to find the
words to express what can only be spoken through the
soul. In a minimal attempt at research, I read pages and
pages of online reviews written in heart-felt emotion by
Kristofferson fans for "This Old Road," and there
is no reason to even attempt further praise in that
arena. This is not a review, nor a bio, just an
editorial encouraging readers to see the October tour. If you are not familiar with the life and
works of Kristofferson, that data is easy enough to
find. Meanwhile I hope I have discovered a few
Kristofferson stones unturned. This is more
Kristofferson as Music, Myth & Lit 101. * CB
****************************************************
 |
Originally from
the southern-most point in the southwestern
United States, Kris Kristofferson, though having
come a long way from Brownsville, Texas, has
after a successful career as an acclaimed
country and western singer/songwriter and
Hollywood screen star, continued to remain as
earthy as the Texas soil he left so many years
ago. His 2006 release of, "This Old Road,"
is proof in point. Kristofferson’s easy style
and wizened approach to music along with his
outspoken yet poetic lyrics, appeal readily to
many music fans of similar nature residing in the southwest.
The southwest has
long been host to many alternative musicians
seeking a similar path leading away from that of
the music industry’s cut and dried grid to one
of honesty, creativity and individuation, just
as it has to artists and writers seeking the
same. Though Kristofferson keeps busy with his
acting and touring in other parts of the world,
during the month of October, this legendary
folk-hero (yeah, I know, cliché, but true) can
be found in Southern Cal. If you’ve ever wanted
the opportunity to see a bardic warrior in
action, don’t miss this tour.
Warrior. Bard.
Poet. Hero. He will argue these, particularly
the hero part, and he has. Understandably so,
who is a hero? Aren’t we all heroes on our
journey? He might say, "I ain’t no hero," in that laid-back Texas delay, hiking
his britches up, clearing his throat with a
conspicuous raise of the eye-brows, defying the
fact that he is as educated as they come (you
can take the boy out of Texas . . . ) as he
espouses names like King, Lennon, Ghandi. |
Webster’s defines hero as:
1 a : a mythological or legendary figure often of
divine descent endowed with great strength or ability. B
: an illustrious warrior c : a man admired for his
achievements and noble qualities
d : one that shows great courage 2 4 : an object of
extreme admiration and devotion.
Other that the fact that he was not born of a virgin,
that pretty well sums it up.
In The Hero With a
Thousand Faces, published in 1949 by Joseph
Campbell, Campbell demonstrates his theory of the
archetypal hero’s journey seen as a wheel which may be
found in examples of myth and folk-lore worldwide. The
Departure (the call to adventure), the initiation (a
road of trials), and the return (bestowing the boon on
his fellow man), are the stages on this wheel. This
theory may be found in every life, but most especially
in Kristofferson’s. These elements are reflected in his
lyrics from his early door-opening classic love songs,
through his activism, to the sharing of his deepest
affections for family, friends and colleagues. Through
love, marriage, family, loss, depression, addiction,
obligations and war; through life, we have cycled along
the journey on this hero’s wheel. His triumphs and pains
mirror our own with words, music, and inspiration there
for anyone seeking a greater road. A modern-day Beowulf;
defeating our dragons, forging the path that we may step
safely if we are listening.
From Billy Bob’s Texas to
the Royal Albert Hall, and most everywhere in between,
his dusty voice echoes an age-old bloodline of
troubadours and their love songs, the battle-cry of
ancient warriors, and the pleas of the mystic muses.
Enlightening and entertaining audiences for over forty
years, Kristofferson’s strongest message though has been
his faith in humanity as exemplified in the 1971 release
of To Beat the Devil:
. . . you still can hear me
singin' to the people who don't listen,
To the things that I am sayin', prayin'
someone's gonna hear.
And I guess I'll die explaining how the things
that they complain about,
Are things they could be changin', hopin'
someone's gonna care.
I was born a lonely singer,
and I'm bound to die the same,
But I've got to feed the hunger in my soul.
And if I never have a nickle, I won't ever die
ashamed.
'Cos I don't believe that no one wants to know.
The upcoming solo
performances in this southern California tour will
undoubtedly be an intimate communication between
Kristofferson and the audience as previously
un-experienced in his days with the Borderlords or The
Highwaymen. Though you may have heard Kristofferson in
years past, heard all of the good old songs, today
whether in the studio or on stage, you will hear him
changing up the lyrics to meet the man he has become and
the times he is up against. So even if you think you’ve
heard it all, you haven’t.
He is a keeper of the
flame, a flame that is passed on to every audience to
which he plays, hoping that even a few may carry the
torch forward as he makes his "lonely way back home."
Sacrifice, endurance, tremendous talent and some plain
ol’ grit make Kristofferson one of the most unique
artists of our time. In light of Joseph Campbell’s
research and the development of the hero’s wheel,
Campbell came to the conclusion that on our individual
hero’s journey, the journey is toward living our bliss.
We should follow our bliss; some do, some don’t, bliss
has its price. Let’s thank Kristofferson for following
his.
He was just
another hero
walking down the line,
much ado about nothing,
just a man who speaks his mind.
Just another hero
tryin’ to speak the truth to you.
Cdy-b
| October 2008 Southern California Tour Schedule Kris Kristofferson will be appearing at the venues
listed below in Southern California for a limited amount
of time in October:
Oct 17 8:00 pm San Luis Obispo, CA - Christopher
Cohan Performing Arts Center
Oct 18 All Day San Diego - Poway Center for the
Performing Arts
Oct 19 2:00 pm Los Angeles - Citrus College _ Haugh
Performing Arts Center
Oct 22 8:00 pm Sacramento - Crest Theatre
Oct 23 8:00 pm Palm Desert, CA - McCallum Theatre
Oct 24 8:00 pm Los Angeles, CA - Cerritos Center
Oct 25 5:30pm -11:00pm, Temecula, CA - La Cereza
Winery and Estate
Oct 26 Sunday, 7 PM Lancaster, CA - Lancaster
Performing Arts Center,
|
For more information visit:
www.kriskristofferson.com
www.newwestrecords.com
www.pollstar.com |
Editor's Picks

Repossessed 1986 -
Best music, Kristofferson at his best with his former band,
The Borderlords

The Austin Sessions
1999 Best overview of his
classics

This Old Road 2006
-
Kris Today; New insights; Favorite songs to play along with
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